Ok, back on topic. I roll out a glob of clay until it is just about as thin as I can make it without tearing it. I have this little tool that is essentially a mini rolling pin and it's perfect for the job. Then I take my very favorite tool, the stylus, and start slicing it into strips.
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These strips become my bridle. The bit is another worm of clay, shaped with the clay shaper and the stylus. In my research, I came across about an equal number of these bridles with and without throat latches. Since this guy has such a muscular neck and it's so tightly tucked, I'm choosing the latter for artistic purposes.
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The bridles have cutwork on them (I'm not sure if that's the right term) that makes a lovely, lace-like, filigree design... another job for the stylus. They also have a design of white stitches, but I really feel that's going to look best if done by the painting artist later on.
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Back in the oven he goes! Stay tuned there's plenty more to be done!
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